Florida Museum of Natural History

March 15 - September 30

Monday - Saturday, 10 a.m. - 5 p.m.
Sunday, 1 p.m. - 5 p.m.

Journey into the heart of Africa and experience its people and rich cultural history. Inside Africa takes visitors through a journey to selected sites on the world's second-largest continent and offers a deeper understanding of the vitality, richness and significance of its people from historical and contemporary perspectives.
Harn Museum of Art
Tuesday - Friday, 11 a.m. - 5 p.m.
Saturday, 10 a.m. - 5 p.m.
Sunday, 1 p.m. - 5 p.m.
The Harn Musuem has one of the largest African collections in the southeastern United States. The exhibition emphasizes the historical and geographical diversity as well as a range of mediums including wood sculpture, masquerades, ceramics, textiles, metalwork (including jewelry) and architectural elements. The exhibition also focuses on works by identified artists or hands, including works by Osei Bonsu, Ubah of Usufoia, Olowe of Ise and Agbonbiofe Adesina. For more information please visit www.harn.ufl.edu or please call 352.392.9826.

Nambia - The Smile of Africa



Florida Museum of Natural History
April 3 - August 3
This collection of work in the Galleria by artist Mary Jane Volkmann depicts life in Namibia among its native peoples. Inspired by 28 years living and working in Namibia, Volkmann's exhibit includes original paintings, a collection of prints and various issues of her work used as postage stamps.
CROSS-CURRENTS IN RECENT VIDEO INSTALLATION: WATER AS A METAPHOR FOR IDENTITY


Harn Museum of Art

June 17, 2008 - September 7, 2008

Tuesday - Friday, 11 a.m. - 5 p.m.
Saturday, 10 a.m. - 5 p.m.
Sunday, 1 p.m. - 5 p.m.

Cross-Currents presents recent video installations by four international artists with ties to Africa: Zwelethu Mthethwa, IngridMwangiRobertHutter, Moataz Nasr and Berni Searle. In each work, the amorphous quality of water is explored as a metaphor for shifting notions of identity, migration and
memory — of fluidity and instability, of spiritual rebirth, of violence and of traumatic loss of life. Water conceptually speaks to the invisible currents that drive the dissolution of familiar categories of race, nation and identity, and the dilution and loss of cultural heritage — all central issues today in contemporary post-colonial art and theory. Organized by Tufts University Art Gallery, Aidekman Arts Center. For more information please visit www.harn.ufl.edu or call 352.392.9826.

 

 
 

For a free brochure or more information please email Cultural Affairs or call 352.393.8540.